"A spiral procession slowly and surely winding its way through a garden inwards
towards a temple blends two spheres, the earthly and the psychic. After such a
ceremony, the garden or field has a different, more psychically alive
atmosphere, which may be felt even by those unacquainted with the occult. The
wearing of robes and regalia, the playing of musical instruments, enhance the
effect. However, if neighbours may wonder when they hear chanting, the clash of
symbols, the eerie notes of the flute and the rattle of the sistrum, all that is
needed is a quiet walk around the garden in everyday clothes. During this silent
walk, thoughts are sent forth to bless plants and the earth. The procession then
winds inwards to the hall door and so within to the shrine. So is the outer
acknowledged and blended with the inner. After the Rite within the shrine, which
brings through the Power needed for the good purpose of the ceremony, it is
needful that the procession should return out-of-doors, preferably in a contrary
spiral movement. This return is not to inhibit the Power, nor to dispense with
the aid of those elemental and other Beings who have chosen to join in the
ceremony. It is to disperse the power outwards so that it may radiate blessing
to the whole neighbourhood and the surrounding plants, earth and streams." (Olivia Robertson, "Dea: Rites and Mysteries of the Goddess")
(photo of the doors to the Foundation Center Temple, painted by Olivia Robertson.)
